2022

美术馆的新作品/The new NFT work

一件虚拟物如何引起现实世界的波动?
« 美术馆里的新作品 »旨在探讨 一件由数字尸体NFT后的数字艺术作品在 拍卖市场,美术馆,艺术学院,互联网平台里的传播与其引发的争议。旨在通过一件存在于虚拟世界的艺术作品所导致的现实世界的争议。 作品展示当今社会艺术背后的资本,围绕艺术生产过程中产生的的消费与剥削,各种利益势力之间围绕艺术展开的博弈。

How can a virtual object cause fluctuations in the real world?
This piece explores the dissemination of a digital art work in the art market, art galleries, art academies, and Internet platforms and the controversies it causes. A work of art that exists in a virtual world leads to a real-world controversy. The works show the consumption and exploitation in the process of art production, and the game between various interest forces around art.

乌托邦地图/The map of utopic

游戏地图对于虚拟世界的构造有着重要的作用,作品灵感来自于托马斯.莫尔的小说乌托邦的插图,这张图引人想象乌托邦的世界。乌托邦诞生于人类对显示当下世界的不满,是人们心目中的虚拟的完美城邦。曾经很多回避现实而逃进虚拟世界,今天的虚拟世界在多大程度上能朝着人类的理想世界去建设? 虚拟世界是人类罪恶的释放之地还是乌托邦?


The game map plays an important role in the construction of the virtual world. The work is inspired by the illustration of Thomas More’s novel <>. Utopia was born out of human dissatisfaction with the display of the current world, and it is a virtual perfect city-state in people’s minds. Many people used to avoid reality and escape into the virtual world. To what extent can today’s virtual world be built toward the ideal world of human beings? Is the virtual world a liberation place for human sins or a utopia?